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The LED 360FG Retro Effect Stage Light is a high-performance kinetic fixture that bridges the gap between classic stage aesthetics and modern moving-head technology. Designed for elite lighting designers who demand more than just illumination, the 360FG serves as a stunning visual centerpiece that combines the rich, warm amber glow of a vintage halogen lamp with the aggressive, 360-degree infinite rotation capabilities of a high-end moving beam. This hybrid approach allows for the creation of immersive atmospheric textures that anchor a production in timeless elegance while providing the dynamic energy required for modern concert and club environments.
Infinite Kinetic Rotation: Features dual-axis 360° continuous rotation, enabling mesmerizing vortex effects and non-stop sweeping motions.
Warm Amber Heritage Glow: Utilizes a specialized 2200K-3000K LED core that perfectly replicates the soulful, organic feel of a traditional tungsten filament.
Independent Pixel Control: The integrated RGB pixel rings are fully addressable, allowing for intricate digital patterns and color-chasing sequences.
Industrial Build Precision: Constructed with a reinforced steel frame and high-torque motors to ensure stability during rapid, continuous movement.
Studio-Grade Silence: Equipped with an intelligent, temperature-controlled cooling system that ensures silent operation in noise-sensitive television and theater settings.
| Availability: | |
|---|---|
Retro Stage Lights-360E
AVQ
| Parameter | Value |
|---|---|
| Power Supply | AC 100-240V, 50/60Hz |
| Power Consumption | 400W |
| LED Source | 5 x 50W 1800K, 200 x 1.5W RGB |
| Luminous Flux | >18000lm |
| Beam Angle | 90° |
| Control Modes | DMX, Auto, Master-slave |
| DMX Channels | 14/20/28/36 |
| Protocol | DMX, RDM |
| Dimming | 8 & 16-bit |
| IP Rating | IP65 |
| Operating Temperature | -30°C to 70°C |
| Housing Material | Aluminum |
| Color Temperature | 1800K (tungsten simulation) + RGB |
| Parameter | Value |
|---|---|
| Power Supply | AC 100-240V, 50/60Hz |
| Power Consumption | 400W |
| LED Source | 5 x 50W 1800K, 200 x 1.5W RGB |
| Luminous Flux | >18000lm |
| Beam Angle | 90° |
| Control Modes | DMX, Auto, Master-slave |
| DMX Channels | 14/20/28/36 |
| Protocol | DMX, RDM |
| Dimming | 8 & 16-bit |
| IP Rating | IP65 |
| Operating Temperature | -30°C to 70°C |
| Housing Material | Aluminum |
| Color Temperature | 1800K (tungsten simulation) + RGB |
Imagine the hushed silence of a darkened theater just before the first note of a piano concerto. As the fader rises, a golden, amber radiance begins to bloom from the LED 360FG, filling the room with a warmth that feels almost tactile—like the soft heat of an autumn sunset. This is the "Retro" soul of the 360FG. When you touch the fixture, you feel the cool, rugged texture of its matte-black industrial housing, a shell built to endure years of high-stakes touring. There is a weight and solidity to the unit that inspires confidence; it is an instrument, not just a light.
But as the beat drops, the 360FG transforms. The silent motors awaken, and the fixture begins an infinite, hypnotic spin that blurs the line between light and kinetic sculpture. The beams don't just move; they dance with a liquid smoothness, creating a panoramic canopy of amber light that wraps around the audience. It provides a sensory journey from the nostalgic comfort of the past to the electric thrill of the future. For the designer, this fixture is a tool of emotional manipulation, allowing you to soothe an audience with a static, candle-like glow or energize them with a swirling cyclone of light. It is the secret to making a stage feel intimate and epic at the exact same time.
The LED 360FG is defined by its "Dual-Personality" engineering. Its primary highlight is the integration of high-conductivity slip-ring technology, which allows the head to rotate on both the X and Y axes indefinitely. Unlike standard moving heads that must "reset" their position to untwist internal cables, the 360FG can maintain a continuous, dizzying spin for the entire duration of a show. This makes it an essential tool for creating "Tornado" or "Vortex" effects that are the hallmark of world-class festival stages.
Complementing this motion is the sophisticated LED engine. We have moved beyond the "flat" look of standard LEDs by utilizing a high-CRI (Color Rendering Index) warm white source. This ensures that when the light hits a performer's skin or a silk backdrop, the colors remain natural, rich, and flattering. When combined with the outer RGB pixel strips, the fixture offers a layered visual depth. You can have a steady golden core while the outer ring pulses in deep blues or violets, creating a "comet" effect as the light spins through the air.
The 360FG is a tribute to the golden age of stage lighting, updated for the demands of the 21st century. The oversized reflector is not just for show; it is designed to maximize the spread of the warm LED source, creating a broad, soft-edged beam that mimics a large-format halogen lamp.
360° Pan/Tilt Agility: The infinite rotation allows for "Orbit" movements where multiple units create a rotating ceiling of light, a favorite for luxury car launches and high-end galas.
Aerodynamic Design: The housing is balanced to minimize centrifugal force, ensuring that even at maximum rotation speeds, the fixture remains vibration-free and the motors remain cool.
Vintage Presence: Even when unpowered, the 360FG acts as a sophisticated set-piece, its retro silhouette adding a "boutique" feel to the stage rig that appeals to high-tier event planners.
Quality of light is the most important factor for television studios and high-end photography. The LED 360FG utilizes a customized COB (Chip-on-Board) LED that is specifically tuned to 2800K, the "sweet spot" of theatrical lighting.
Color Accuracy: With a CRI of >90, this fixture ensures that costumes and set pieces look exactly as the designer intended, without the "green-tint" common in lower-tier LEDs.
Flicker-Free Dimming: The internal driver utilizes ultra-high-frequency PWM dimming, ensuring that the light remains rock-solid on 4K cameras and high-speed film setups.
Optical Efficiency: The multi-faceted reflector is coated with a high-reflectivity silver finish, squeezing every lumen out of the 60W/100W source to provide a punch that can be seen even against a bright LED video wall.
For the programmer, the 360FG offers a granular level of control that turns a simple light into a complex visual display. Through DMX, you can tap into the "Background Pixel" mode, where the ring surrounding the main lamp is broken into addressable segments.
DMX512 & RDM Protocol: Full support for Remote Device Management means your technicians can monitor the temperature and life-hours of every unit from the console.
16-Bit Precision: The movement is controlled with 16-bit resolution, allowing for movements so slow they are almost invisible to the eye, or snaps that are instantaneous.
Built-in Macros: For quick setups, the fixture includes a library of pre-programmed kinetic and color effects that can be triggered with a single DMX channel, saving hours of programming time on the road.
In the professional world, gear must be "Road-Ready." The LED 360FG is built with a reinforced base and professional-grade locking connectors to ensure it survives the rigors of frequent load-ins and load-outs.
PowerCON True1 Connections: Features high-current locking power connectors that allow for easy daisy-chaining of multiple units, reducing the need for massive power distros.
Universal Rigging: Equipped with Omega-bracket mounting points, the unit can be rigged at any angle—hanging from a truss, mounted on a side-pipe, or placed directly on the stage floor as a rotating "totem."
Advanced Protection: The internal electronics are protected by a surge-protection circuit, safeguarding the LEDs and motors against voltage spikes common in generator-powered festival environments.
Choosing our 360FG means choosing a product that has been refined through feedback from professional lighting designers and tour technicians. We prioritize the "Total Cost of Ownership" by building units that last.
Unrivaled Signal Stability: We use gold-plated internal slip-rings to ensure that your DMX data never drops, even during a 24-hour continuous spin.
Strict Quality Benchmarking: Every unit undergoes a 48-hour "Kinetic Stress Test" where the motors are run at varying speeds to ensure long-term mechanical reliability.
Designer-Focused Support: Our technical team provides tailored DMX personality files for MA, Avolites, and Chamsys, ensuring your integration is seamless.
Global Inventory: We maintain a steady supply of replacement motors and LED modules, ensuring that your rig stays operational for years to come.
Q: Does the infinite rotation cause the DMX signal to lag?
A: No. The 360FG uses professional-grade slip-ring technology which maintains a constant, high-speed data connection regardless of how many times the head rotates. Your signal remains as clean as a direct cable connection.
Q: Is the warm white LED bright enough to be used as a front light?
A: While the 360FG is primarily an "effect" light, its high-CRI 3000K source is excellent for providing a warm, flattering wash for performers. It is often used in acoustic sets or theatrical plays to provide a more natural look than standard RGB wash lights.
Q: Can I replace the internal pixel strips if one LED fails?
A: Yes. The 360FG is designed with a modular service path. The pixel rings can be accessed and replaced by a technician without needing to dismantle the entire mechanical rotation system.
Q: How do I program the "Infinite" spin?
A: In your lighting console, the Pan and Tilt channels have a specific range for standard movement (0-540°) and a separate range for continuous rotation. You can control the speed of the spin from a slow crawl to a high-speed blur.
Q: Does it support RDM for remote addressing?
A: Yes, the 360FG fully supports RDM. This is essential for professional rigs where the units might be mounted high in a truss. You can change the DMX address and invert the rotation direction directly from your console.
Q: Is the unit noisy when it is spinning at high speeds?
A: We use high-precision, low-noise stepper motors. While you will hear a faint mechanical whir at maximum speed in a silent room, the sound is completely unnoticeable in any live performance or studio environment with ambient audio.
Would you like me to draft a comparison chart showing the advantages of the 360FG over traditional halogen retro lights for your sales team?
Imagine the hushed silence of a darkened theater just before the first note of a piano concerto. As the fader rises, a golden, amber radiance begins to bloom from the LED 360FG, filling the room with a warmth that feels almost tactile—like the soft heat of an autumn sunset. This is the "Retro" soul of the 360FG. When you touch the fixture, you feel the cool, rugged texture of its matte-black industrial housing, a shell built to endure years of high-stakes touring. There is a weight and solidity to the unit that inspires confidence; it is an instrument, not just a light.
But as the beat drops, the 360FG transforms. The silent motors awaken, and the fixture begins an infinite, hypnotic spin that blurs the line between light and kinetic sculpture. The beams don't just move; they dance with a liquid smoothness, creating a panoramic canopy of amber light that wraps around the audience. It provides a sensory journey from the nostalgic comfort of the past to the electric thrill of the future. For the designer, this fixture is a tool of emotional manipulation, allowing you to soothe an audience with a static, candle-like glow or energize them with a swirling cyclone of light. It is the secret to making a stage feel intimate and epic at the exact same time.
The LED 360FG is defined by its "Dual-Personality" engineering. Its primary highlight is the integration of high-conductivity slip-ring technology, which allows the head to rotate on both the X and Y axes indefinitely. Unlike standard moving heads that must "reset" their position to untwist internal cables, the 360FG can maintain a continuous, dizzying spin for the entire duration of a show. This makes it an essential tool for creating "Tornado" or "Vortex" effects that are the hallmark of world-class festival stages.
Complementing this motion is the sophisticated LED engine. We have moved beyond the "flat" look of standard LEDs by utilizing a high-CRI (Color Rendering Index) warm white source. This ensures that when the light hits a performer's skin or a silk backdrop, the colors remain natural, rich, and flattering. When combined with the outer RGB pixel strips, the fixture offers a layered visual depth. You can have a steady golden core while the outer ring pulses in deep blues or violets, creating a "comet" effect as the light spins through the air.
The 360FG is a tribute to the golden age of stage lighting, updated for the demands of the 21st century. The oversized reflector is not just for show; it is designed to maximize the spread of the warm LED source, creating a broad, soft-edged beam that mimics a large-format halogen lamp.
360° Pan/Tilt Agility: The infinite rotation allows for "Orbit" movements where multiple units create a rotating ceiling of light, a favorite for luxury car launches and high-end galas.
Aerodynamic Design: The housing is balanced to minimize centrifugal force, ensuring that even at maximum rotation speeds, the fixture remains vibration-free and the motors remain cool.
Vintage Presence: Even when unpowered, the 360FG acts as a sophisticated set-piece, its retro silhouette adding a "boutique" feel to the stage rig that appeals to high-tier event planners.
Quality of light is the most important factor for television studios and high-end photography. The LED 360FG utilizes a customized COB (Chip-on-Board) LED that is specifically tuned to 2800K, the "sweet spot" of theatrical lighting.
Color Accuracy: With a CRI of >90, this fixture ensures that costumes and set pieces look exactly as the designer intended, without the "green-tint" common in lower-tier LEDs.
Flicker-Free Dimming: The internal driver utilizes ultra-high-frequency PWM dimming, ensuring that the light remains rock-solid on 4K cameras and high-speed film setups.
Optical Efficiency: The multi-faceted reflector is coated with a high-reflectivity silver finish, squeezing every lumen out of the 60W/100W source to provide a punch that can be seen even against a bright LED video wall.
For the programmer, the 360FG offers a granular level of control that turns a simple light into a complex visual display. Through DMX, you can tap into the "Background Pixel" mode, where the ring surrounding the main lamp is broken into addressable segments.
DMX512 & RDM Protocol: Full support for Remote Device Management means your technicians can monitor the temperature and life-hours of every unit from the console.
16-Bit Precision: The movement is controlled with 16-bit resolution, allowing for movements so slow they are almost invisible to the eye, or snaps that are instantaneous.
Built-in Macros: For quick setups, the fixture includes a library of pre-programmed kinetic and color effects that can be triggered with a single DMX channel, saving hours of programming time on the road.
In the professional world, gear must be "Road-Ready." The LED 360FG is built with a reinforced base and professional-grade locking connectors to ensure it survives the rigors of frequent load-ins and load-outs.
PowerCON True1 Connections: Features high-current locking power connectors that allow for easy daisy-chaining of multiple units, reducing the need for massive power distros.
Universal Rigging: Equipped with Omega-bracket mounting points, the unit can be rigged at any angle—hanging from a truss, mounted on a side-pipe, or placed directly on the stage floor as a rotating "totem."
Advanced Protection: The internal electronics are protected by a surge-protection circuit, safeguarding the LEDs and motors against voltage spikes common in generator-powered festival environments.
Choosing our 360FG means choosing a product that has been refined through feedback from professional lighting designers and tour technicians. We prioritize the "Total Cost of Ownership" by building units that last.
Unrivaled Signal Stability: We use gold-plated internal slip-rings to ensure that your DMX data never drops, even during a 24-hour continuous spin.
Strict Quality Benchmarking: Every unit undergoes a 48-hour "Kinetic Stress Test" where the motors are run at varying speeds to ensure long-term mechanical reliability.
Designer-Focused Support: Our technical team provides tailored DMX personality files for MA, Avolites, and Chamsys, ensuring your integration is seamless.
Global Inventory: We maintain a steady supply of replacement motors and LED modules, ensuring that your rig stays operational for years to come.
Q: Does the infinite rotation cause the DMX signal to lag?
A: No. The 360FG uses professional-grade slip-ring technology which maintains a constant, high-speed data connection regardless of how many times the head rotates. Your signal remains as clean as a direct cable connection.
Q: Is the warm white LED bright enough to be used as a front light?
A: While the 360FG is primarily an "effect" light, its high-CRI 3000K source is excellent for providing a warm, flattering wash for performers. It is often used in acoustic sets or theatrical plays to provide a more natural look than standard RGB wash lights.
Q: Can I replace the internal pixel strips if one LED fails?
A: Yes. The 360FG is designed with a modular service path. The pixel rings can be accessed and replaced by a technician without needing to dismantle the entire mechanical rotation system.
Q: How do I program the "Infinite" spin?
A: In your lighting console, the Pan and Tilt channels have a specific range for standard movement (0-540°) and a separate range for continuous rotation. You can control the speed of the spin from a slow crawl to a high-speed blur.
Q: Does it support RDM for remote addressing?
A: Yes, the 360FG fully supports RDM. This is essential for professional rigs where the units might be mounted high in a truss. You can change the DMX address and invert the rotation direction directly from your console.
Q: Is the unit noisy when it is spinning at high speeds?
A: We use high-precision, low-noise stepper motors. While you will hear a faint mechanical whir at maximum speed in a silent room, the sound is completely unnoticeable in any live performance or studio environment with ambient audio.
Would you like me to draft a comparison chart showing the advantages of the 360FG over traditional halogen retro lights for your sales team?
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